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Jeffrey
Wright

Senior Editor  ·  Fox Entertainment  ·  AI Pipeline Engineer  ·  AutoFinish

18 years cutting broadcast television at Fox.
Now building the AI that automates the pipeline.

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18+
Years at Fox
8
Projects Created
Scroll to explore

Featured Work

The Edit Suite

18 years. 8 networks. Every frame intentional.

·
Now Playing —
Episodes

Career

Experience

From the edit bay to the server rack — a career built at the intersection of creative craft and emerging technology.

2025–Present Active
Founder & AI Pipeline Engineer
AutoFinish / Project Continuum LLC
Designed and built AutoFinish — a 9-step AI post-production pipeline that ingests raw footage and delivers broadcast-ready dual-format output (ProRes 4444, 16:9 + 9:16) with zero manual editing. Patent filed. Trademark in review. Validated by Fox Entertainment leadership. Commercial deployment live at autofinish.ai.
Python Claude Vision API FFmpeg ProRes 4444 LUT Pipeline AI Color Science
2008–Present 18+ Years
Senior Editor / Producer / Shooter
Fox Entertainment (Fox Sports → Fox College Sports → Multiplatform Operations)
Leads production, editing, and distribution of all social media and VOD content for Fox Entertainment. Creates network promos, sizzle reels, and digital content distributed across all Fox-owned platforms and affiliate partners (Entertainment Tonight, Variety). Shoots BTS and interviews on location, then edits the final package. Produces live shoots end-to-end — location scouting, camera, talent relations, scripting, and final cut. Collaborated with A-list talent on multiplatform marketing campaigns. Major titles: Empire, American Idol, X Factor, Family Guy, The Simpsons, House, Hell's Kitchen, Masterchef, So You Think You Can Dance.
AVID Media Composer Adobe Premiere On-Air Promos Multiplatform Color Grading DP / Shooter Talent Relations
2009–2011 2 Years
Producer / Editor
Fox College Sports — Fox Networks Group
Produced and edited network promos, sizzle reels, original programs (30–60 min), live sporting events, and halftime segments for nationally aired college football. Oversaw on-air promo planning across all regions. Produced the 6-episode original series "My Campus" and covered the National Scholastic Surfing Association Championships — credited as writer, producer, editor, and camera.
Original Series Live Events On-Air Planning DP / Camera Affiliate Promotions
2008–2009 2 Years
Production & Administrative Assistant
Fox Sports — On-Air Creative
Supported a high-volume promo environment across 10–13 regional sports networks. Managed creative elements in partnership with Writer/Producers, Editors, Creative Directors, and Sr. Executives. Worked directly with the SVP of On-Air Creative to build elements for MLB All-Star Games, the Daytona 500, and the Super Bowl.
Sports Promos MLB / NFL / NASCAR Multi-Network Creative Support
Education
Bachelor of Arts — Communications
Flagler College · St. Augustine, FL · 2001–2005
Minor — Graphic Design & Fine Art
Certifications
Certified Professional AVID & Premiere Editor (Broadcast) — Moviola Los Angeles & FBC
YouTube Certified — Google/YouTube
Craft
Musician since age 8 — piano and guitar. Pattern recognition as a core professional skill.
18 years honing instinct in broadcast television — the foundation AutoFinish is built on.

Expertise

Editorial + AI

Broadcast-level craft meets modern AI engineering — both operating at a professional standard.

Editorial & Post-Production
AVID Media Composer
Adobe Premiere Pro
Color Grading
Long-Form Narrative
Trailers & Promos
Off/On-Air Marketing
Adobe After Effects / CS Suite
Broadcast Standards (ITU-R BT.709)
AI Engineering & Pipeline
AI Pipeline Architecture
Claude / Anthropic API
Computer Vision (Color Science)
FFmpeg / ProRes Pipeline
Python (Automation & Pipeline)
Node.js / REST APIs
VPS Infrastructure / Linux
Multiplatform Content Strategy

Built While at Fox

AutoFinish
AI Post-Production Pipeline

Raw footage in. Broadcast-ready dual-format output delivered. No timeline. No software. No editor in the revision loop. Built from 18 years of professional post-production instinct — now encoded in AI.

01
Camera Detection & LUT Normalization
Auto-detects 15+ camera profiles — ARRI, RED, Sony, Canon, Blackmagic, DJI and more. Applies technical LUTs to normalize log footage to Rec.709.
02
Reference Frame Extraction
Optional reference-based grading. When no reference is provided, the AI grades independently — the way a professional colorist would.
03
Source Analysis
Analyzes resolution, frame count, FPS, color metadata, dynamic range, and exposure across the full clip.
04
AI Color Grade
Claude Vision analyzes frames, outputs a calibrated grade — contrast, saturation, gamma, skin protection — baked into a 33×33×33 3D LUT for smooth, broadcast-accurate rendering.
05
Audio Normalization
Two-pass loudnorm to –14 LUFS. Broadcast-standard audio in every output, automatically.
06
Broadcast Legal Clamp
16–235 luma range enforcement per ITU-R BT.601/BT.709. Every frame is broadcast-legal before it leaves the pipeline.
07
16:9 Render — ProRes 4444
Full-resolution broadcast master. ProRes 4444 .mov output, ready for delivery or further post.
08
9:16 Render — Smart Crop
AI face detection and smart crop for vertical/social output. Both formats delivered simultaneously.
09
Before / After Comparison
Side-by-side frame export. Visual QA proof with every completed job.
What It Replaces
Traditional workflow: Raw footage → Editor → Colorist → Sound → Export 16:9 → Re-export 9:16 → QA → Delivery. Days. Multiple handoffs.

AutoFinish: Upload. Receive both formats. Done.
IP & Commercial Status
Provisional patent filed March 2026 (Jeffrey Daniel Wright). Trademark in review. Copyright registered #1-509616241. Project Continuum LLC filed March 2026.

Validated by Fox Entertainment leadership. Active commercial deployment at autofinish.ai.
ProRes
4444
Broadcast Output
–14
LUFS
Audio Standard
15+
Camera Profiles
Dual
Format
16:9 + 9:16
Visit AutoFinish.ai →

Vision

What I'd Build

If handed the keys tomorrow.

01
Rebuild the Workflow From the Inside
18 years in the edit bay means I know exactly where the friction is. I'd audit any post-production pipeline end-to-end and design the system that should have existed years ago — faster, smarter, built for what content actually looks like now.
02
Deploy AutoFinish at Scale
AutoFinish was built on broadcast instincts. The next step is integration — bringing the AI pipeline directly into post infrastructure at any scale. Raw footage in, broadcast-ready dual-format out. Editors freed up to do what only humans can do.
03
Promote Creativity, Exploration & Teamwork
AI doesn't replace the team — it gives the team room to breathe. The goal is a creative environment where editors, producers, and technologists work together with better tools, more time, and less friction between the idea and the screen.
The Operating Principle
"Operate with reverence.
Fail with grace.
Succeed with humility."
Projects Built & Building
Live
AutoFinish — AI post-production pipeline · autofinish.ai
alina.guide — Wellness & course platform
Business Bidder — Automated business acquisition platform
Project Continuum — Distributed AI hive mind architecture
In Development
RENNY — Survival AI · Raspberry Pi 5
ScriptMine — AI script analysis & mining tool
Project Thalang — AI consciousness research · Second Door
Continuum Local — Local hive mind deployment

Get In Touch

Let's Talk

Whether it's a collaboration, a conversation about where AI and post-production are heading, or something else entirely — reach out.

Jeffrey Wright
jeff@autofinish.ai
AutoFinish.ai LinkedIn Project Continuum Portfolio